MFA Work > Mammy & Me

The Brand (front)
Vinyl, craft paper, tracing paper, laminated paper and vinyl
14" x 17" x 8.5"
2012
The Brand (back)
Vinyl, craft paper, tracing paper, laminated paper and vinyl
14" x 17" x 8.5"
2012
The Desexualized Woman
Printed cotton fabric, vinyl
14" x 17" x 8.5"
2012
The Entertainer (front)
Printed cotton fabric, vinyl
14" x 17" x 8.5"
2012
The Entertainer (back)
Printed cotton fabric, vinyl
14" x 17" x 8.5"
2012
The Exotic (front)
Printed cotton fabric, vinyl
14" x 17" x 8.5"
2012
The Exotic (back)
Printed cotton fabric, vinyl
14" x 17" x 8.5"
2012
The Mascot (front)
Printed cotton fabric, vinyl
14" x 17" x 8.5"
2012
The Mascot (back)
Printed cotton fabric, vinyl
14" x 17" x 8.5"
2012
The Nurturer (front)
Printed cotton fabric, vinyl
14" x 17" x 8.5"
2012
The Nurturer (back)
Printed cotton fabric, vinyl
14" x 17" x 8.5"
2012
The Outlaw (front)
Printed cotton fabric, vinyl
14" x 17" x 8.5"
2012
The Outlaw (back)
Printed cotton fabric, vinyl
14" x 17" x 8.5"
2012
The Storyteller (front)
Vinyl, Dutch wax cloth, laminated fabric, bias tape
14" x 17" x 8.5"
2012
The Storyteller (back)
Vinyl, Dutch wax cloth, laminated fabric, bias tape
14" x 17" x 8.5"
2012

The Mammy & Me series focuses on the Mammy caricature as a divisive icon in American culture. For White Americans, the Mammy was a symbol of comfort, tough love, and a jolly disposition. For Black Americans, caricatures such as Mammy, Uncle Tom, and Sambo were inflammatory and painful reminders of how White Americans regarded them: at times, lazy and slow, and sometimes loyal to a fault.

The lunchbox forms—covered with bold graphics, text and saturated colors—are a visual reference for nostalgic and collectible items. This series speaks to the self-identity and self-esteem of Black American women, and the effects of stereotypical or sensationalized depictions of Black American women in advertising and entertainment.

Photography by John Jenkins and Laura Waugh